By A. Lewis
Unlocking a brand new and past due version for analyzing comedian books, this precise quantity explores spiritual interpretations of well known comedian booklet superheroes comparable to the fairway Lantern and the Hulk. This superhero subgenre deals a hermeneutic for these in integrating mutiplicity into spiritual practices and concerns of the afterlife.
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Extra info for American Comics, Literary Theory, and Religion: The Superhero Afterlife
While traversing the Hadean netherworld, Doctor Strange falls into an elaborate illusion of his life as a physician before becoming a sorcerer. ”141 The Doctor—and his item of power—trusts in the hellish scene, in its reality, far beyond the hallucination of his past. 142 Each Thunderbolt conquers his or her vision to regroup and continue the group’s quest through hell. Here is one variation on the familial encounter element: Thunderbolt member Atlas encounters a vision of a family member, only to shake loose of the fake reunion.
I call this function the theoretical function of the subgenre (tied back to that idea of historical versus theoretical genres). For those looking to fast forward, I’ll touch upon the theoretical toward the conclusion of this chapter, and chapters 2, 3, and 4 will expand upon its treatment, particularly looking at what manner of selfhood is being communicated and potentially accepted by readers in each storyline. But, before we go there, it’s vital to recognize the second function these six elements serve—as safeguards against the narratives unraveling.
17 In something of a feedback loop,18 as readers internalize or identify with particular kinds of characters and situations, authors will attempt to pen plots that meet accepted expectations. Returning to Ricoeur and the idea of community, his Figuring the Sacred most explicitly ties genre not just to a mass community but also to the individuals within it and their personal notions of identity. Time and Narrative suggested that the problem of identity, of determining how one could understand themself,19 was the central concern of shared fictions and histories.
American Comics, Literary Theory, and Religion: The Superhero Afterlife by A. Lewis